I can really choose to be mesmerized and get lost in the world of Lee Hom. But of course I don’t, because I’m already mesmerized and lost in the world of another guy whose name starts with ‘J’, ends with ‘K’, and has ‘A’ and ‘C’ in-between. Was just entertaining myself before preparing for the wedding dinner later on, and look what I found while blog-surfing?
It was truly entertaining to watch the then 23-year-old Lee Hom, with a little flub under his chin, doing all the awkward stuff an artiste can ever do in a single MV. But hey, who doesn’t like her guy with a little extra to hug? Just a little, not too much. Lee Hom had the ‘I’m a good boy, take me home’ face. Simply adorable. Of course, if you compare the music he conjures at this point of time with that from 1999, you’ll definitely be able to spot the minor flaws as an amateur listener, and the more significant flaws as a pitch-perfect musician (such as my very scary MDs).Haha.So David wasn’t the only one with that traumatic Spring Wind (“望春風”) MV experience.
Both musicians mentioned above are worth a listen, especially their older works before 2003. Disclaimer: I am neither related nor affiliated to the abovementioned artistes in any way, apart from being an avid music lover.
*Laughs myself silly*
I think I just drove myself nuts debating about the origins of one of Lee Hom’s songs. I choose to believe it was his original piece of work and the foreigners “borrowed” the melody. I think the music industry nowadays is horrid.
And I’m still missing you. I’m just going to live today like it never existed, and then settle for an excruciating tomorrow.
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